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About this catalogue
Welcome to our Christmas, smallest and last catalogue for the year. Recent purchases, others that don't fit neatly into subject catalogues, and a vein of books from a collection that we bought three years ago and we thought had all been catalogued. Or, books about chess, tattooing, dogs, cancer, London, beach attire, walking, the never ending World War One, and sadism in the movies; others signed by Wilfred Thesiger, Jeanette Winterson, George Grosz, William Robinson, Margaret Atwood, Ian Rankn, Ben Hecht, Richard Hughes, and Michael Ondaatje; and three sets of Robert Crumb trading cards of American musicians.
Best wishes for Christmas and the New Year from all of us here underneath the tennis court at Badger Books. And many thanks to our customers and colleagues for their business and support during the year.
The Abergavenny Witch Hunt
Newport, Gwent, UK: The author and Book Midden Publishing. First English paperback edition, 2014.
The story of the prosecution of 20 gay men in the Welsh town of the title during 1942; signed by the author.
Pictorial wrappers. Fine.
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The Best American Mystery Stories of the Century
Boston: Houghton Mifflin first American edition, 2000.
Forty-six stories, arranged chronologically, 1903 to 1999; contributors include O.Henry, Melville Davisson Post, Susan Glaspell, Ring Lardner, Wilbur Daniel Steele, Margaret Millar and up to Dennis Lehane; biographical notes on the contributors and foreword by the editor, 800+pp.
Fine in dustwrapper.
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London Fields
London: Jonathan Cape. First English edition, 1989.
Samson Young narrates the story of Keith Talent and others; signed by the author
Faint edgewear, else fine in dustwrapper.
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The Year of the Flood
Toronto: McClelland and Stewart. First Canadian edition, 2009.
The middle volume of the author's dystopian trilogy; after Oryx and Crake and before MaddAddam; signed by the author
Fine in dustwrapper
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Mum & Mr. Armitage
London: Gerald Duckworth. First English edition, 1985.
Twelve stories, the author's first collection; signed by Beryl Bainbridge.
Fine in dustwrapper.
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Circa 1492 - Art in the Age of Exploration
Washington and New Haven: National Gallery of Art and Yale University Press. First American edition, 1991.
Exhibition catalogue. Twenty-eight essays, 500+ colour reproductions: a survey of the World's Art around the end of the 15th century and before the Eurocentric shaping of the world.
Fine in dustwrapper.
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Smut - Two Unseemly Stories
London: Faber and Faber and Profile Books. First English edition, 2011.
'The Greening of Mrs Donaldson' and 'The Shielding of Mrs Forbes', complete; signed by the author.
Fine in dustwrapper in slipcase as issued.
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The Silent Mr Palomar
New York: Targ Editions. First American edition, 1981.
1/250 copies signed by the author. Translated by William Weaver. The first of the two signed limited editions published by Calvino in English. Ten pieces, all featuring Mr. Palomar, seven of which would later appear in the complete Italian (1983) and English (1985) editions, while the remaining three – “The Lotus-Eaters”,The Gods of Objects” and “The Form of the Tree – have not been reprinted. Calvino began Palomar in 1975, wrote it contemporaneously with If on a Winter’s Night a Traveler (1979), and was his response to the self-imposed problem of “writing about something that is not written”. Or, 'Once he had begun this kind of observation it is difficult for him [Mr.Palomar] to stop. Not that he remains lost in contemplation: on the contrary, he would like to conclude the operation he has set himself and then leave as quickly as possible. He simply wants to be able to say that he has truly seen a wave, at the moment it strikes this point on the beach, that he has seen how it is made, in all its simultaneous components. ... To describe a wave analytically, to translate its every movement into words, one would have to invent a new vocabulary and perhaps also a new grammar and a new syntax ... Mr. Palomar does not aim so high: he would be content to read the wave', from “On Reading a Wave”, for Calvino’s own explanation of his problem. This story sits in the middle of the Targ edition and, a helpful leg up for readers, is the first piece in the published trade versions. Number thirteen of the 25 titles published by William Targ, from his home in Greenwich Village, after his retirement from a distinguished career in mainstream publishing. Designed and printed by hand at the Grenfell Press. Printed on Fabriano Roma, an all-rag, handmade sheet; coloured initial letters at the beginning of each piece and frontispiece woodcut by L.Grenfelli. Marbled cloth and black boards. Erratum slip laid in.
Fine in transparent glassine dustwrapper, a couple of chips on the rear panel, with frontispiece portrait of Calvino printed on the front panel of the dustwrapper.
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A Year with Maggie's
London: Royal Academy of Arts and Maggie's. First English edition, 2015.
The artist's illustrated journal of a year spent at the Maggie's Centre, Charing Cross Hospital, London, for cancer patients and their families; inscribed by the author to Susan [Lasdun].
Pictorial boards. Fine as issued without dustwrapper. Printed invitation to the launch laid in.
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Alices Adventures in Wonderland and Through the Looking Glass
London: Victor Gollancz. First English editions with these illustrations, 1984.
Two volumes. The complete texts and forty-four full page colour illustrations by Justin Todd of these enduring worlds.
Edgewear and spots of foxing to Through the Looking Glass, else both volumes very good in fine dustwrappers. The two volumes
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Wonder Boys
New York: Villard Books. First American edition, 1999.
Grady Tripp, Terry Crabtree and James Leer, together and apart over the course of a long night.
Top edge dusty, else fine in dustwrapper.
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A History of Chess
Oxford: Oxford University Press. Second edition, 1969.
The magisterial history: details of the varieties of chess played worldwide; the origins of the modern European game; the appearance of Chaturanga in India in the seventh century; a survey of the Arabic and Persian literature; and the complete history of the modern game through to the end of the nineteenth century. Illustrated throughout. First published in 1913 and reissued here from the corrected sheets of the first edition.
Fine in dustwrapper.
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The Devil and All
London: The Nonesuch Press. First English edition, 1934.
Six droll, diabolical stories including the wonderful "The Devil, George, and Rosie" featuring George Pennywhistle who is placed in charge of a females only circle of Hell; #721/1000 copies signed by the author, frontispiece by Blair Hughes-Stanton
Original green cloth. Gilt lettering on cover a little mottled, else fine.
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The James Joyce Murder
New York: Macmillan. First American edition, 1967.
Kate Fansier #2; literary archive, recently deceased publisher, interested parties, some unscrupulous ...
Small brown mark on the margins of p80-87, not obscuring any text, else fine in dustwrapper.
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A Long Finish
London: Faber and Faber. First English edition, 1998.
Aurelio Zen mid-career, #6 out of 11, unwillingly back in Rome; signed by the author; and dedicated to Pat Kavanagh.
Fine in dustwrapper.
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Winter's Tales
New York: Random House. First American edition, 1942.
Eleven stories, the first beginning on a barque going from Marseilles to Athens.
Fine in dustwrapper.
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A Dog At All Things
London: Jonathan Cape. First English edition, 1953.
An anthology re dogs: species, origins, characteristics, events influenced, relationships with their two legged masters, or is the last the other way around? Contributors include Martial, Shakespeare, Virgil, Emily Dickinson, Cervantes, Virginia Woolf, Booth Tarkington, as well as public bulletins and the mostly reliable "Anonymous"; 175pp.
Spots of foxing to extremities, else very good in dustwrapper.
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Dogs Bodies
London: Abelard Schuman. First English edition, 1970.
Text accompanied by pen and ink drawings of a long, hard look at man's best friend; the giver and demander of unconditional love; inscribed by the author on 4th July 1978.
Pictorial wrappers. Fine.
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Dogs
Polyiphiloi. First English edition, 2009.
Fourteen reproductions of paintings and sculptures by the artist all featuring dogs engaged in recognisable, though diverse, activities.
Pictorial wrappers. Postcards 10 x 15cms., all fine and ready to use.
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Chronicles - Volume One
New York: Simon and Schuster. First American edition, 2004.
Of the years 1961, 1970 and 1989.
Fine in dustwrapper.
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Provence - from Minstrels to the Machine
London: George Allen and Unwin. First English edition, 1938.
The writer on his lifelong passion for the 'real France' and which, according to Julian Barnes, '... the official 'France' - northern, bureaucratic, centralising - had long ago conquered and attempted to dismantle and to strip of its language: Provence'; illustrations by [Janice] Biala, the author's partner during the 1930s.
Fine in very good dustwrapper with a few nicks at the edges.
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The Carpathians
Auckland: Century Hutchinson. First New Zealand edition, 1988.
The author's eleventh and last novel published in her lifetime is concerned with the Puamahara, the memory flower, and its distinctive powers. Inscribed by Janet Frame to her friends the American artists Bill Brown and Paul Wonner, 'something small for Christmas ... from southern Jaybird Janet with love'
A little edgewear, else fine in dustwrapper.
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Hammett
New York: G.P. Putnam's Sons. First American edition, 1975.
Joe Gores' affectionate recreation of San Francisco in 1928 and one of its authors becomes his protagonist; a Wim Wenders movie a few years after publication; signed by the author.
Spots of foxing to top edge, else fine in dustwrapper nicked at the crown of the spine.
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A High Wind in Jamaica
London: Chatto and Windus. First English edition, 1929.
The author's first novel. A wonderful hybrid of children, pirates, hurricanes, the tropics and a hard look at what children are capable when placed in a particular set of circumstances. First published in America as The Innocent Voyage, this title later that year in England, and the second American edition followed suit; signed by the author on the half-title.
Fine in very good dustwrapper darkened on the spine, nicked at the crown and with a couple of chips
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The Black Tower
London: Faber and Faber. First English edition, 1975.
Adam Dalgleish #5.
Fine in dustwrapper.
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Aren't You Rather Young To Be Writing Your Memoirs?
London: Hutchinson. First English edition, 1973.
Nine pieces written between 1960 and 1973; introduction, 22pp., by the author.
Remainder dot bottom edge, offsetting to prelims, else very good in dustwrapper with a couple of nicks
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The Forwarding Agent
London: The Toby Press. First English edition, 1999.
The only novel by the former director of the BBC World Service, a spy thriller set in the Middle East; inscribed by Austen Kark in the year of publication.
Original blue cloth and pictorial boards. Fine as issued without dustwrapper.
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Letters from London
Port of Prince, Trinidad and Tobago: Prospect Press. First Trinidadian edition, 2003.
Seven essays written within months of James' arrival in London in 1932, age 31, published in the Port of Spain Gazette that year and, as he noted later in Beyond a Boundary, 'About Britain, I was a strange compound of knowledge and ignorance.'
Fine in dustwrapper.
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Slow Burn City
London: Picador. First English edition, 2016.
'London in the 21st Century' by the architecture critic for The Observer; inscribed by the author.
Fine in dustwrapper.
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Blood Meridian or the Evening Redness in the West
London: Picador. First English edition, 1989.
Cormac McCarthy’s fifth novel, set along the Mexico United States border during 1849-1850; a movie version is still years away, the reach of computer generated effects notwithstanding.
Extremities evenly and lightly tanned. Fine in dustwrapper with a small square of bleed from the boards on the reverse.
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Or Shall We Die?
London: Jonathan Cape. First English edition, 1983.
McEwan's words for Michael Berkeley's music; introduction, 13pp., by the author.
Very good in first issue dustwrapper darkened on the spine.
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The Innocent
London: Jonathan Cape. First English edition, 1990.
Berlin 1955, an English Post Office technician and the locals; signed by the author.
Review copy with publisher's embargo slip laid in. Top edge a little dusty, else fine in dustwrapper.
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The Family of Man
New York: Maco Magazine and Museum of Modern Art. First American paperback edition, 1955.
Exhibition catalogue. The world as 503 images from 68 countries.
Pictorial wrappers. Covers bowed, else fine.
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Aspects of Evan - the Last Viscount Tredegar
Newport, Gwent, UK: William P. Cross and Book Midden. First English paperback edition, 2012.
The life of Evan Morgan, through many twists, turns and reinventions, his Wikipedia entry summarises these tantalisingly; and including a transcript of his Court Martial for offences against the Official Secrets Act; signed by William Cross
Pictorial wrappers. Fine.
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Not Behind Lace Curtains
Newport, Gwent, UK: William P. Cross and Book Midden. First English paperback edition, 2013.
More details from 'The Hidden World of Evan, Viscount Tredegar'; signed by the author.
Pictorial wrappers. Fine.
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Evan Frederic Morgan: Viscount Tredegar
Newport, Gwent, UK: William P. Cross and Book Midden. First English paperback edition, 2014.
Sub-titled, 'The Final Affaris, Carnal and Financial Including How Evan's Executors Wound Up His Estate'; 200+pp., illustrated; signed by the author.
Pictorial wrappers. Fine.
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Evan, Lord Tredgear, Selected Letters, Prose and Quotations
Newport, Gwent, UK: William P. Cross and Book Midden. First English paperback edition, 2015.
Pieces of 'The Mystic Muse of Evan Frederic Morgan' assembled by the author and subject; signed by William Cross.
Pictorial wrappers. Fine.
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A Beautiful Nuisance
Newport, Gwent, UK: William P. Cross. First English paperback edition, 2012.
Sub-titled 'The Life and Death 0f Hon. Gwyneth Ericka Morgan'; signed by the author.
Pictorial wrappers. Fine.
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Yallah
New York: McDowell, Obolensky. First American edition, 1957.
Photographs of northwest Africa by Peter W. Haeberlin. Introduction by Paul Bowles, 'How much we could learn from them [African people] about man’s relationship to the cosmos, about his conscious connection with his own soul. Where we could learn why, we try to teach them the all-important how, so that they may become as rootless and futile and materialistic as we are.'
Fine in dustwrapper.
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Sadism in the Movies
New York: Medical Press. First American edition, 1965.
An alternative history of movies which ignores the auteur theory, structuralism, the studio system and genres in favour of twenty-four categories, eg, 'crushing', 'bondage', 'wounds', 'sexual assassins'; 256 full page uncaptioned reproductions grouped according to these categories accompany the text; with the three irrefutable period taglines: 'The Book That Shocked a Nation', 'Complete and Unexpurgated Translation' and 'Suppressed in Paris' on the front and rear covers.
Fine in dustwrapper.
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The Idyll Wheel
Deakin, ACT: Officina Brindabella. First Australian edition, 1989.
'Cycle of a year at Bunyah, New South Wales, April 1986 - April 1987'; thirteen poems and preface; wood engravings by Rosalind Atkins; #211/290 numbered copies signed by the poet. Brindabella #16
Original cloth and boards with vignette. Fine in mylar dustwrapper.
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The Dalkey Archive
London: MacGibbon and Kee. First English edition, 1964.
The authorship of Ulysses is challenged by none less than its author himself: welcome to Dalkey, a seaside suburb of Dublin, or, for the purposes of this novel, a creation of Mr. O'Brien.
A spectacular copy. Fine in dustwrapper.
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The Conversations - Walter Murch and the Art of Editing Film
New York: Alfred A. Knopf. First American edition, 2002.
'And one of the most fruitful paradoxes, I think, is that even when the film is finished, there should be unsolved problems. Because there's another stage, beyond the finished film: when the audience views it.' Conversations over a year between the writer and editor and sound designer of movies by Francis Ford Coppola, George Lucas, Philip Kaufman, as well as the 1998 restoration of Touch of Evil; illustrated; signed by Michael Ondaatje.
Fine in dustwrapper.
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Minnie's Room: the Peacetime Stories
London: Persephone Books. First English edition, 2002.
Ten stories, first published in The New Yorker between 1947 and 1965.
Printed wrappers. Fine in dustwrapper.
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Two Bond Collectors in Conversation with Sheila Markham
London: Queen Anne Press. First separate edition, 2017.
Reprinted from The Book Collector's special issue on Ian Fleming. Sheila Markham interviews, separately, two collectors of the James Bond books: Jeremy Miles vowed to own a complete set of James Bond first editions and an Aston Martin by his fiftieth birthday; Michael VanBlaricum has not stopped at the books but ... Letterpress printed in Monotype Fournier by Stan Lane of Gloucester Typesetting; #31/125 numbered copies signed by Ian Fleming's nephews Fergus Fleming (Queen Anne Press) and James Fleming (The Book Collector).
Black card wrappers. Printed label. All fine.
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The Night Gardener
New York: Little, Brown. Reprint, 2006.
A serial killer in Washington, DC; inscribed by the author.
Very good in fine dustwrapper.
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Paeans for Peter Porter
London: Bridgewater Press. First English edition, 1999.
A celebration for Peter Porter - an expatriate generation of one, correspondent and host to successive generations of Australian writers - on his seventieth birthday by twenty of his friends: Martin Amis, Julian Barnes, Alan Brownjohn, Geoffrey Burgon, Wendy Cope, Allen Curnow, Ian Duhig, D.J. Enright, U.A. Fanthorpe, Barry Humphries, Clive James, David Malouf, Les Murray, Sean O’Brien, C.K. Stead, George Szirtes, Ann Thwaite, Anthony Thwaite, William Trevor, Kit Wright - a harmonious blend of local and Australian contributors - who have all signed this state. One hundred and thirteen copies printed, this is one of the 26 in quarter cloth and marbled paper boards, not numbered and marked as a contributor's copy.
Quarter cloth and marbled boards. Fine.
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The Black Book
London: Orion Books. First English edition, 1993.
John Rebus #5, tartan noir; signed by the author.
Review copy with local publisher's slip laid in. Fine in dustwrapper.
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Shadow in Sunlight - an Old Tale of Modern Provence
London: Blackie and Co. First English edition, 2001.
A group of English friends holidaying in France, seemingly random attacks on farm animals, an ancient legend, a detective from Paris: it could only be Provence; inscribed to Anthony Astbury of the Greville Press by the author in the year of publication.
Pictorial wrappers. One corner bumped, else fine.
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William Robinson - the Transfigured Landscape
Brisbane: Queensland University of Technology Art Museum and Piper Press. First Australian edition, 2011.
Exhibition catalogue to coincide with the artist's 75th birthday; essays by Deborah Hart, David Malouf, Hannah Fink, Michael Brand, Desmond and Bettina MacAulay;100+ colour reproductions, including panoramic foldouts, and other b&w reproductions; signed by William Robinson.
Fine in dustwrapper.
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Robert Ross Friend of Friends
London: Jonathan Cape. First English edition, 1952.
'Being Letters to Robert Ross, Art Critic and Writer, Together with Extracts from His Published Articles', or towards the centre of one aspect of the 1890s and into the first decade of the twentieth century.
Ownership of signature of Hugh Whitemore, else fine in very good dustwrapper darkened on the spine and perimeter and chipped around edges.
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Ant
Edinburgh: Scotland Street Press. First English edition, 2015.
Collects the author's short stories, war serials and selected poems; edited by Jean Findlay, his biographer.
Fine in dustwrapper. 500 copies.
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The Coast of Utopia
London: Faber and Faber. First English editions, 2002.
Three volumes: 'Voyage', 'Shipwreck' and 'Salvage' - Russia, 1833-1866, fermenting revolution; the author's three play epic first performed in London during the second half of 2002.
Fine in matching dustwrappers. The three volumes
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Paul Strand - Photographs 1915-1945
New York: Museum of Modern Art. First American edition, 1945.
The first photography monograph issued by the Museum, errata slip tipped-in; inscribed by the author.
Fine in very good dustwrapper with a couple of chips at the crown of the spine.
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Why We Build
London: Picador. First English edition, 2012.
A wide net of everything the author knows and has thought about buildings; inscribed by the author.
A little canted, else fine in dustwrapper.
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The Modern Crime Story
Edinburgh: The Tragara Press. First English edition, 1980.
Text of a lecture given at York University, Toronto, December 1975 by the prolific crime novelist; #108/125 numbered copies printed by Alan Anderson at the Tragara Press.
Plain wrappers with printed label. Fine.
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Pierced Hearts and True Love
London: Derek Verschoyle. First English edition, 1953.
An illustrated guide to contemporary tattooing, ie 19th to mid-20th centuries; claimed by the dustwrapper as 'the first book on modern tattooing'; illustrated throughout.
Fine in very good dustwrapper missing a small piece from the top of the front panel.
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Lanna Style - Art and Design of Northern Thailand
Bangkok: Asia Books. First Thai edition, 2000.
History of the kingdom in northern Thailand: emergence, golden age, decline, revival; illustrated throughout with colour photographs of Ping Amranand; 240pp., glossary.
Fine in dustwrapper
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My Kenya Days
London: HarperCollins. First English edition, 1994.
Beginning with his first visit in 1960 and, like many other of the author's destinations, now long gone; illustrated, indexed; signed by the author.
Two faint spots on title page, else fine in dustwrapper.
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Sacred Country
London: Sinclair-Stevenson. First English edition, 1992.
Mary Ward's discovery, aged six, 'I am not Mary. That is a mistake. I am not a girl. I'm a boy.' Signed by the author.
Extremities evenly tanned, else fine in dustwrapper.
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Inspector Saito's Small Satori
New York: G.P. Putnam's Sons. First American edition, 1985.
Matsuo Saito #1; signed by the author.
Extremities evenly tanned, else fine in dutwrapper.
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Long Distance Paths of England and Wales
Newton Abbot, Devon: David and Charles. First English edition, 1977.
Illustrated guides and histories to eight paths, another chapter on shorter paths, and a general introduction to long distance walking and protocols on the trail; produced well before the current boom.
Fine in dustwrapper.
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A Time of Gifts, Between the Woods and Water and The Broken Road
London: John Murray. First English editions, 1977-2013.
Three vols. The complete journey: from the Hook of Holland to Constantinople, on foot, in 1933, on £1.00 per week. The Broken Road - from the Iron Gates to Mount Athos was published posthumously in 2013, edited by Colin Thubron and Artemis Cooper; this copy is signed by them.
Top edge dusty on A Time of Gifts, else the three volumes fine in dustwrappers, the first two vols. both designed by John Craxton. The three vols.
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The.PowerBook
London: Jonathan Cape. First English edition, 2000.
Hard copy novel structured and inhabited electronically, and, these notwithstanding, still about love; signed by the author.
Fine in dustwrapper.
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Children of the Sun - a Narrative of 'Decadence' in England after 1918
New York: Basic Books. First American edition, 1976.
The effect of World War One on a select group of English men, or the lives of Harold Acton, Brian Howard, Kim Philby, Evelyn Waugh, and forty of their friends.
Fine in dustwrapper.
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