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About this catalogue
Welcome to our new catalogue of what is becoming an annual roundup of translated literature. Novels and collections of stories dominate: from Albania to Turkey and twenty countries in between. You’ll also find: essays, travels, journals, memoirs; dreams collected by an on again off again Surrealist; signed books by a couple of Nobel prize winners; aphorisms; hardboiled French crime; the original, uncompromising text of Pinocchio; foundation texts of Nordic Noir; poetry; a familiarity with the Tasmanian wolf; philosophy; key moments from Leonardo Sciascia’s unauthorised history of Sicily; Jacques Tati’s Monsieur Hulot’s Holiday by Jean-Claude Carrière, one of the more unlikely movie novelisations; the oulipian Penny Borough of Ourselves; and Peter Owen’s own one volume catalogue of translated literature.
London: Viking. First English edition, 1990.
The author's second of two novels, written in 1948, 'in the office between one document and another. I would write a paragraph or two. I then pasted together the whole book, as in a collage'; a Chinese box novel of Spanish expatriates, 'Americaniards', living in New York City.
Fine in dustwrapper.
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New York: David Mckay. First American edition, 1926.
Fantomas v Juve, the endless fraternal struggle between the opposite ends of organised society; the second novel written by Marcel Allain alone and #34 in the long running series.
Fine in very good dustwrapper featuring an image of an ageing Fantomas whose once formidable shadow is now blue grey.
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London: Putnam and Co. Ltd. First English edition, 1946.
Karen Blixen's only novel, set in England and France in the 1840s, and concerned with the Nazi occupation of Denmark during World War Two.
Bump to front free endpaper, else fine in very good dustwrapper.
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New York: The Broom Publishing Company. First American edition, 1923.
The life and death of Croniamantal, aka loosely as the poet and author, and his first book to appear in English; translation, introduction and notes by Matthew Josephson; #573/1250 numbered copies.
Pages tanned, else fine in very good dustwrapper darkened around the perimeter and with two small marks on the rear panel.
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New York: The Viking Press. First American edition, 1972.
Volume 3 in The Documents of 20th Century Art series: 160+ pieces: Picasso, Matisse, Braque, fakes, salons, Futurism, Cubism and contemporary art in Paris during the early 20th century; edited by Leroy C. Breunig, and translated by Susan Suleiman.
Fine in dustwrapper.
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Oxford: Oxford University Press. First English edition, 1967.
Twenty authors, one story each, from all over the Arab world and including Tayeb Salih and Nagib Mahfouz; preface by the translator, introduction by Professor A.J. Arberry, short biographical pieces about each author.
Fine in very good dustwrapper.
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London: John Calder. First English edition, 1987.
First published in 1924, the year of the official declaration of Surrealism; translated by Jo Levy.
Fine in dustwrapper.
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New York: A. A. Wyn. First American edition, 1948.
Tensions and societal change inside a real estate office in Montparnasse; the author's first book to appear in America.
Fine in good dustwrapper darkened on the rear panel and chipped at the crown and base of spine.
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St. Lucia, Qld: University of Queensland Press. First Australian edition, 1973.
A year in the life of Kuber, a boatman on the Padma River; first published in Bengali in 1936; translated by Barbara Painter and Yann Lovelock; a note on the author by S.N. Mukherjee; #4 in the publisher's series of Asia and Pacific Writing.
A little edgewear, else fine in dustwrapper.
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New York: Urizen Books. First American edition, 1978.
Written in 1935, first published in France in 1957, translation by Harry Mathews; the familiar Bataille terrain of sex and death.
Fine in dustwrapper.
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San Francisco: City Lights Books. First American edition, 1991.
Three long pieces – a philosophical erotic narrative, an essay on poetry, and poems: 'A Story of Rats' – 'to be this much in love is to be sick, and I love to be sick'; 'Dianus' – 'Poetry conceals the known within the known...it is the unknown painted in the blinding colours, in the image of the sun'; and 'The Oresteia'; translated by Robert Hurley; preface by the author, who was rejected by the Surrealists, and rejected them back.
Pictorial wrappers. Fine.
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New York: Paragon House. First American edition, 1992.
Re his earlier and personally influential colleague; first published in France in 1945 and the final volume in The Atheological Summa; translation by Bruce Boone, introduction by Silver Lotringer.
Fine in dustwrapper.
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New York: E.P. Dutton. First American edition, 1985.
The author's guide to his own world, a blind poet's journey around the world, part journal, part fantasy, across time and space, and inside this one; pieces on Geneva, Ireland, Caesar, the Brioche, 1983, Corners, Dreams, and, naturally, The Labyrinths; illustrated.
Barry Humphries' copy with his bookplate. Fine in dustwrapper.
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London: Collins. First English edition, 1962.
Uncorrected proof of the first English edition of volumes 2 and 3 of the 'Our Ancestors' trilogy, or companions to 'The Baron in the Trees'.
Plain wrappers with label. Annotations to label, base of spine chipped, types mark on front free endpaper, prelims marked, short tear to p.106 not affecting text. Good.
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London: William Heinemann. First English edition., 1959.
One of the more unlikely novelisations of a movie written by the distinguished screenwriter, illustrated by Pierre Etaix, and endorsed by the director on the rear panel of the dustwrapper.
Extremities darkened, else good in dustwrapper chipped at edges.
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London: Anthony Blond. First English edition, 1969.
All of the Vichy France Government along with Celine and his family are landed in a castle towards the end of World War Two when ... the first volume of his World War Two trilogy; first published in France in 1957.
Fine in dustwrapper.
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London: The Bodley Head. First English edition, 1972.
Volume two of the author's loose trilogy of World War Two and another volume of his fictional autobiography.
Top edge dusty, else fine in dustwrapper rubbed on part of the lettering on the front panel.
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Durham, NC: Duke University Press. First American edition, 1994.
The South Atlantic Quarterly, Volume 93, No.2, a special issue devoted to Louis-Ferdinand Celine; twenty essays about Celine, particularly his influence on American Literature and his own 'Reply to Charges of Treason Made by the French Department of Justice (Copenhagen 6 November 1946)'; inscribed by Alice Kaplan to James Laughlin, 'with a heartfelt thanks for your generosity in loaning material to the Duke Celine exhibit.'
Pictorial wrappers. Top edge dusty, else fine.
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London: John Lehmann. First English edition, 1947.
'A Peak in the Cevennes', 'The Power of Words', 'My Enemy', 'The White Beastie' (all originally published in 'New Writing'), and the first appearance of 'The Stranger': coming of age in the Cevennes region of France; translated by John Rodker.
Fine in very good dustwrapper designed by Keith Vaughan.
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New York: New Directions. First American edition, 1957.
First published in 1929, the second English translation by Rosamond Lehmann; illustrations by the author. '... I have received three honours. I have been elected to the Royal Academy of Belgium and to the French Academy, and 'Les Enfants Terribles' has been translated by Rosamond Lehmann. I sometimes wonder whether the third of these is not the one that has moved me the most.' - Jean Cocteau.
Very good in dustwrapper sunned on the spine.
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Berkeley, CA: University of California Press. First American edition thus, 1986.
Translation, introduction; and notes by Nicolas J. Perella; illustrations by Enrico Mazzanti from the first edition; parallel Italian English text for the story of the famous piece of wood and, it will come as no surprise, not at all like the Disney animated adaptation..
Spots of foxing to foredge, else fine in dustwrapper
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Norfolk, CT: New Directions. First American edition, 1949.
A crumbling tenement building with an ensemble cast, at the top of the Alley of the Seven Daughters in Cairo; #11 in the publisher's 'New Directions' series.
'Don't you know the house is about to crash?' signposts Egypt's social and political corruption and class conflict. Henry Miller – an early fan of Cossery – gave it universal importance – 'We are all living in that house, whether we realise it or not,' in an essay from 'Stand Still Like the Hummingbird'.
Owner signature of Robert L.Perkins, reviewer for The Denver Post, else fine in very good Alvin Lustig dustwrapper sunned on the spine
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London: Pushkin Press. Reissue, 1998.
Sub-titled 'A Study of Happiness', originally dedicated by the author to both 'happiness and suffering' and which befall Cecile van Erven, a widow, who meets ...; first published 1892.
Plain wrappers. Fine in dustwrapper.
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London: Peter Owen. First English edition, 1958.
Dumas and his entourage travel from Paris to Madrid for a wedding and a little sightseeing in Spain; written in 1846.
Bookplate, else fine in very good dustwrapper with remnants of a stain on the reverse.
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Boston: David R. Godine. First American edition, 1987.
Georges, Veronique, a chase all over Paris, then to the Alps, for a showdown, with Ferguson Gibbs.
Spots of foxing to top edge, else fine in dustwrapper.
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London: The Harvill Press. First English edition, 2004.
A violent death in 21 days is announced on p.1; followed by a meditation on life and death, asking if purgatory is a luxury hotel or maximum security prison, and what makes a life worthy, or a person good.
Fine in dustwrapper
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New York: Viking. First American edition, 1935.
Sub-titled 'An Account of the Great Mass-Movements of History and the Wish-Dreams That Inspired Them'; beginning with the world's common 'anxiety dream'; indexed, illustrated.
Fine in dustwrapper.
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London: Peter Owen. First English edition, 1988.
Catholic politics in rural France, where 'hatred goes deeper than ambition' for one character; first published in 1873; translated by Robert Liddell.
Fine in dustwrapper.
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New York: Grove Press. First American edition, 1964.
The author's combination of a fictional autobiographical journey through Europe during the 1930s; translation by Bernard Frechtman, foreword by Jean-Paul Sartre.
Fine in dustwrapper.
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London: Cape Goliard. First English edition, 1968.
An early selection in English containing all nine poems of 'The Winter Palace'; translated from the Finnish and introduced by Anselm Hollo; one of 100 numbered copies signed by the author.
Original blue boards. Fine in printed, transparent dustwrapper illustrated by Ambrosius Gabler.
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London: George Routledge. Second impression one month after publication, 1941.
Austria during 1934 and the crisis caused by the rise of National Socialism, beginning, 'At midday the lights were on."
Owner stamp, extremities darkened. Very good in dustwrapper darkened on the spine.
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London: William Heinemann. First Australian printing, 2002.
An unusual course of action after the protagonist's father's death, in which the First World meets the Third World, kicking off some feather-ruffling action.
What does it mean to live in a world without belief or consolation? Is Western civilisation in decline? Is there a silver lining? The answers are hidden in numbing experiences and morbid places. What else would you expect from one of European literature's chief provocateurs?
Fine in dustwrapper
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London: Atlas Press. First English edition, 1993.
The author's second novel – a series of erotic encounters, dialogues, meetings and tableaux; first published in 1898; translated by Iain White; introduced by Alastair Brotchie.
Pictorial wrappers. Sunned on spine, shadow on rear panel where price sticker has been removed, very good
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New York: Marsilio Publishers. First American edition, 1993.
A Paris murder among a group of aristocrats at the end of the 19th century scandalises Parisians that Jack the Ripper has hopped the Channel; the truth is much more intriguing.
Fine in dustwrapper.
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Edinburgh: Canongate. First English edition, 2008.
The fourth novel by the Albanian novelist, set in the fifteenth century during the Albanian-Turkish wars; first published in 1970; translated from Albanian into French by Jusuf Vrioni, and from French into English by David Bellos; signed by the author on a tipped-in card.
Fine in dustwrapper.
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London: Arthur Barker. First English edition, 1963.
The first years of World War One in Paris, where 'everything is permitted'; awakenings of sensuality for the Dalaeus family's elder son as the world around him teeters on the edge of catastrophe.
Small annotation on title page, else very good in dustwrapper marked on rear panel.
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London: Penguin. First English edition, 2010.
Ten stories, first published in Hungary in 1931, and connected by inn food – trampled cabbage, sour lungs and plenty of beer; gastro-centric Central European offbeat literature with only a slim divide between the dead and the living.
Pictorial wrappers. Fine.
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New York: Viking. First American edition, 1986.
Twenty-four stories, including 'Gogol's Wife' – the author's best known; introduction by Italo Calvino – 'the first rule of the game established between reader and writer is that sooner or later a surprise will come: and that surprise will be ...'
Remainder mark bottom edge, else fine in dustwrapper.
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San Francisco: North Point Press. First American edition, 1989.
Fifty-one essays and shorter pieces collected from across the author's career; subjects include: 'Phantom Africa', Fred Astaire, epilepsy, Hans Arp, Raymond Queneau, Spain 1934-1936, Arthur Rimbaud, talkies, and two versions of 'Glossary: My Glosses Ossuary'.
Review copy with publisher's promotional material laid in. Fine in dustwrapper.
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New York: Alfred A. Knopf. First American edition, 1939.
The second volume of the author's novels of the life of Henri IV of France (1553-1610), written while in exile in France, and whose subject matter was chosen by Heinrich Mann as a contrast to politics in Germany at the time.
Fine in dustwrapper a little darkened on the spine.
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Hygiene, Colorado: Eridanos Press. First American edition, 1987.
Thirty pieces – stories, reflections, examinations of minutiae – written between 1920 and 1929, first published in German in Zurich in 1936; translated by Peter Wortsman, Eridanos #1.
Fine in dustwrapper.
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Tokyo: Kodansha. First American edition, 1996.
A Japanese woman transcends personal tragedy to approach sainthood in a remote Mexican village, her quest opening up reflections on sin, death, sexuality, heaven, and hell; the author as literary avatar; translated from the Japanese by Margaret Mitsutani.
Fine in dustwrapper.
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Las Vegas, Nevada: Rainmaker Editions. First American edition, 2003.
Text of a lecture given by the Nobel Prize winner beginning, 'The name Tasmania had an intriguing ring for many a youngster and for me, as well, when I was a young boy living in the deep forests of Shikoku, one of the four main islands of Japan. ... there were quite a few children who had heard of, or knew a little something about, the Tasmanian devil. And I knew something about the Tasmanian wolf, too ...', before moving to the Japanese wolf and on again to Edward Said's analysis of Japan in 'Culture and Imperialism'; translated by Kunioki Yanagishita, Japanese calligraphy by Kazuko Akiba; printed letterpress from Bembo typecast by Michael Bixler and adjusted by the printer's hand – on dampened Somerset Book paper by C.Mikal Oness; one of 399 numbered copies (total edition 440), signed by the author.
Printed paper covered boards with stamped leather spine. Fine as issued in publisher's clamshell case.
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London: Hodder and Stoughton. First English edition, 1962.
The Libyan War, aka the North African campaign of World War Two, from the Italian perspective.
Owner signature, else very good in dustwrapper.
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London: Penguin. First English edition, 2013.
Seventeen 'love stories' from a world of shared apartments and heavy drinking in Russia, by an author whose work was suppressed for its controversial topics like domestic dissatisfaction and discord; a blend of dark fairytale and bracing realism; selected, translated, introduced by Anna Summers.
Pictorial wrappers. Fine.
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Boston, MA: MIT Press. First American edition, 2007.
Aphorisms – 'every conviction is a virus' – poems, plays, occasional writings, 1917-1953 and a small amount that were posthumously published; illustrations of programs and other covers by the author; 450+pp.
Barry Humphries' copy with his bookplate. Fine in dustwrapper.
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London: Hutchinson. First English edition, 1958.
The story of 'le soldatesse' – Greek women 'bought' by Italian soldiers for their official military brothels during World War Two; the author's first novel developed from his own wartime experiences, and made into a movie in 1965; translated by the indefatigable Archibald Colquohoun.
Fine in dustwrapper.
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Paris: George Conrad. First edition, 1938.
The author's second novel, published as 'Dolicocefala Bionda' in 1936, translated here by Winfield Thompson, for the publisher's 'Tales of Passion Library'. Dino Segre's life as a journalist, prolific novelist, Fascist spy is well documented; his novels are less celebrated though this one was reissued in the 1970s with an introduction by Umberto Eco: 'Pitigrilli was an enjoyable writer – spicy and rapid – like lightning'.
Plain wrappers. Extremities lightly tanned. Very good in dustwrapper chipped along the top and bottom edges.
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London: Lindsay Drummond. First English edition, 1946.
Remizov (1877-1957), Russian writer, and calligrapher, in Paris from 1923; illustrations by Donia Nachshen; a note on the author by fellow Parisian expatriate George Reavey; translated by Beatrice Scott; Russian Literature Library #6.
Very good in dustwrapper.
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London: Longmans Green. First English edition, 1957.
A parasitical poet in the Paris of the 1880s attaches himself to a dull family – 'My sponger's heart empties and fills itself like the metal cup chained to a public fountain'; first published in 1892.
Fine in very good dustwrapper.
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New York: New Directions. First American edition, 1977.
Twenty tales, arranged into four thematic categories, beginning with 'A City Built on Seven Hills', aka Istanbul, and featuring Turkish encounters with Armenians, Jews, Greeks and other Europeans.
Fine in dustwrapper with remnants of price sticker on inside front flap.
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New York: Random House. First American edition, 1968.
Biographical essays on fifteen Russian poets, see image for details, followed by extensive examples of their work; parallel Russian English text for all the poems.
Fine in dustwrapper.
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New York: Harcourt, Brace and Company. First American edition, 1995.
The Iberian peninsula breaks free of Europe and drifts towards the North Atlantic, the Pyrenees are split, Gibraltar is up for grabs. A group of wanderers (literary heirs of Don Quixote) bear witness to inevitable collision with the Azores Islands while governments fail in the face of collective trauma; speculative fiction about changing borders with more than a hint of Brexit chaos; signed by the author.
Review copy with publisher's promotional material laid in. Fine in dustwrapper.
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London: Weidenfeld and Nicolson. First English edition with these illustrations, 1953.
Dialogues of the wars between the sexes in Vienna during the 1890s; illustrated by Philip Gough; translated by Frank and Jacqueline Marcus; introduction by Ilsa Barea.
Very good in dustwrapper with the wraparound band promoting the Max Ophuls adaptation.
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[Portland, ME]: [Thomas B. Mosher]. First American edition in this format, 1923.
Eight narrators retell the medieval legend of the crusade by 30,000 children to Jerusalem and its tragic consequences; translated by Henry Copley Greene; introduction by John L. Foley; four hundred and fifty copies printed on Kelmscott handmade paper (total edition 500).
Fine in very good chipped and torn glassine dustwrapper.
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Helsinki: Eurographica. First edition, 1985.
'The Long Crossing', 'A Matter of Conscience' and 'The Wine-Dark Sea', three essential Sicilian stories; 1/250 numbered copies (total edition 350) signed by the author. Italian text.
Plain wrappers. Fine in printed dustwrapper.
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Santa Monica and San Francisco: Lapis Press. First American edition with these translations, 1987.
First published in 1912 and inspired by the inscriptions that the author had seen on stones along the side of the road in China. Introductory text and explanation of the 1914 edition, both by the author (8pp.); the steles organised by the direction that they are facing in the landscape or their location; translations by Michael Taylor; calligraphy by Walasse Ting; an austere Lapis Press production bound in boards covered with a lithograph by Sam Francis; 150 copies signed by Michael Taylor and Sam Francis.
Original illustrated boards. Fine in printed transparent dustwrapper.
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London: Hamish Hamilton. First English edition, 1974.
A train, a stranger, and a request for an apparently simple favour conspire to catapult a middling everyman over to the wild side in a 'roman dur', far harder than the Maigret novels.
Fine in dustwrapper.
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London: Victor Gollancz. First English edition, 1973.
Martin Beck #7; unique in the Beck series with just 24 hours from crime to resolution; said to be the series that started the 'Scandinavian Noir' genre of mixing crime stories and social issues, and spawning a movie version, 'The Man on the Roof' by Bo Widerberg.
Fine in very good dustwrapper with a crease at the bottom of the rear panel.
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London: Victor Gollancz. First English edition, 1975.
Martin Beck #9; featuring the reappearance of Folke Bengtsson, the murderer from Roseanna, the first Martin Beck.
Fine in dustwrapper.
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London: Pushkin Press. Reissue, 1999.
Two children walk home between Christmas Eve and Christmas Day, high in the German Alps; a painterly description of the crystal world; translation by Elizabeth Mayer and Marianne Moore; first published in 1845.
Pictorial wrappers. Fine.
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London: Secker and Warburg. First English edition, 1963.
The author's first novel, originally titled 'An incompetent', written in 1888, published, at his expense, in 1892 and here in English as volume three in a uniform edition of Svevo's works.
Fine in dustwrapper.
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London: Pushkin Press. First English paperback edition, 2007.
An obscure central European state, between the World Wars, a coup planned, the ruler's strategy involves a move to Venice, whereupon ...; first published pseudonymously (and appropriately) in Hungary in 1942.
Pictorial wrappers. Fine.
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London: Pushkin Press. Reprint, 2003.
Beginning, 'On the train everything seemed fine. The trouble began in Venice, with the back-alleys.' The setting – Fascist Italy and Paris; the style – genre-mixing described by the author as 'neo-frivolous'; the plot – a rattling roller coaster. 'Enjoy the wine today, tomorrow there'll be none.' Translated from the Hungarian by Len Rix.
Pictorial wrappers. Fine.
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North Clarendon, VT: Tuttle. Reprint, 2013.
A new translation of the Bushido Shoshinsu (the classic 400 year old Japanese text on the behaviour and personal standards for samurai) by Thomas Cleary; illustrations by Oscar Ratti.
Fine in dustwrapper.
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London: Virago Press. First English edition, 1992.
A novella and seven stories; the author's second book to be translated into English.
Remainder mark bottom edge, else fine in dustwrapper.
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Toronto: University of Toronto Press. Reprint, 2000.
Troilus and Criseida, the complete texts, according to Benoit de Sainte-Maure (c.1160), Boccaccio (c.1338), Chaucer (c.1385) and Robert Henryson (c.1490).
Pictorial wrappers. Fine.
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New York: Alfred A. Knopf. First American edition, 1933.
More from Scandinavia on varieties of marriages, or Nordic Noir without a murder, this one set during the 1920s and beginning with the protagonist marrying her teenage love.
Owner signature. Very good in dustwrapper darkened on the spine and adjacent parts of the front and rear panels.
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Fresno, CA: The Giligia Press. First American edition, [1969].
A selection of Zareh Yaldizciyan's poetry; translated from the Armenian by Agop Hacikyan; #Y of 26 lettered copies (500 copies total edition), signed by the poet and translator.
Original printed boards. Fine as issued without dustwrapper.
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